I blame my friend Marc for getting me into trouble a lot.
And almost always, that trouble involves an extra project at the newspaper we work at. Luckily, said projects tend to fall into the “brilliant and mostly fun” category.
This time, though, I did it to myself. I was the one who asked my boss if I could draw editorial cartoons for the paper.
Marc, however, has done his part to hold me to that. He writes the editorials, I draw the pictures to go with them. When I got back from the honeymoon, I had it in my mind to slack off for a bit, but nope! Marc manages to regularly find his way over to my desk and ask if I maybe have any free time to illustrate.
“I’m not your boss, I can’t make you do things, so you tell me if you don’t have time,” he says.
Step 1: Pencil & Ink
Step 2: Grayscale in-paper
Step 3: Full-color online
Sometimes I do tell him I can’t. But usually, I try. Hey, it gives me an excuse to draw while I’m at work — there’s no downside here.
So here’s a little backlog of the edtoons from the past few weeks. They make more sense when accompanying the editorial they were meant to run alongside, but I hope they stand on their own too, at least a little.
(Oh and a little fun fact – my signature changes between two last names, because the wedding happened in the middle 🙂 )
Wedding. Honeymoon. Editorial cartoons. A weekly stepmomming column. Illustrations for said column. Designer of the Year. Custom illustration commission.
There’s been whole a lot of art things (and non-art things) happening, alongside a whole lot of slacking. I’ll try to write in here some more, if for no other reason than to vent and focus my art-related thoughts. Which I guess boil down to primarily this: If I could spend all my time traveling, and illustrating, I’d be quite happy.
Musical Nature is the recording alias of Rhode Island based electronic music composer Geoff Varosky. His latest album, Eavesdropping, features six compositions varying in length from seven to under nine-and-a-half minutes, which notably draw upon the ambient-techno style of music pioneered in the early 1990’s by electronica bands like The Orb and The Future Sound of London. Interweaving what could be described as free-floating background and foreground layers of synthesized textures and environmental field recordings, experimental beats and industrial nuances frequently lend both an edgy crunchiness and contrasting bit of chaos throughout.
The opening piece, “Common Code”, is also the album’s most dreamy and minimal number, characterized by echoing environmental textures comprised of hollowed metallic…
I have a bad habit of buying stuff that I never end up using. Clothes. Gadgets. Rosetta Stone Spanish (I’ll get to that SOMEDAY Jessie! Promise!).
And a set of bamboo ink brushes. I got them sometime during my senior year of college.
That was seven years ago.
All this time, those brushes have sat, still in the packaging, in my art drawer. They moved with me from my parents’ house, to my first apartment, to my boyfriend’s house, to the apartment I now share with that then-boyfriend, now-fiance, almost-husband.
In an effort to create more… I came up with the idea to take a month to generate some sort of ambient music each day and release it to the world. Be it a minute, be it an hour… to produce some piece of music on a daily basis for an entire month.
What would you, my few followers, think of this? Would you listen? Would you want to get the collection of this afterwards? Would you want to have this as a resource to use in your own music?
Let me know. Planning on July to start doing this… more updates to come.
There are some coworkers you collaborate well with.
One such person I know would insist I rephrase that as: “coworkers you collabwell with.”
Because he might not actually be a hipster, but by golly he’ll talk like one. (totes ironically, though.)
Enter Marc Munroe Dion, stage left. Or stage right. I’m really not sure which direction he’s gonna come from, most days. But whichever direction or angle he does come from, it usually turns into a fantastic project idea.
He turned up with a fantastic project idea even when I was stuck at home recovering from back surgery a few months ago.
For the wedding, my fiance figured out how to make a soundscape installation! 🙂 He makes ambient background music, and we thought cocktail hour (or afternoon tea, if you’re a hobbit) would be a cool place to test it out – having different layers playing from different speakers to make a whole music experience, if you will. Yay!
We’ve got less than a month to go before the “big day”… we’ve been planning out music, and my fiancée would love for me to play some of my stuff. However, since most of it is ambient and minimal, there really wasn’t much of a place for it, except for maybe dinner or cocktail hour.
Then, collaboratively, we came up with a plan. Using two small portable speakers on either end of the porch we are having cocktails at, I will layer some of my tracks so each end of the porch plays different layers of those tracks, together making up the actual track, very similar to my installation pieces can be used (Layers 1, Layers 2, and Layers 3). Below is a representation of how those will be configured:
This however created a problem…
I need these to be re-usable, so I can duplicate this…
When we got engaged, I mocked the general cost of a wedding.
Who’s stupid enough to spend so much on a single day? I said.
…A few months later…
That frustrates me to nooooo end. (Ask anyone who talked to a very tearful me yesterday.) BUT. I’m trying to remember something. The best parts of this whole shindig, have absolutely nothing to do with the dollars, so the dollars aren’t worth stressing over.